My work is grounded in a reverence for the coastal and marine environments of the East Coast of Australia, where I live and work. Drawing on ecological philosophies such as Umwelt and Worlding, I explore how non-human species experience their worlds and how we, as humans, can shift our perspective to better understand and care for the lifeforms we share this planet with.

Art, for me, is a conduit for environmental and ethical engagement. By incorporating scientific knowledge and ecological concerns into my art, I aim to create work that promotes awareness and inspires positive environmental change. I am particularly drawn to the symbiotic systems of the natural world, which I see as potential models for reimagining our interactions—with each other, and with the more-than-human world.

I work primarily in ceramics—porcelain and mid-fire clays—alongside drawing, painting, and multimedia printmaking. My pieces often feature screen-printed transfers derived from my own drawings and photographs, layered onto surfaces rich with texture, relief, and monochromatic contrasts. Techniques such as embossing, sgraffito, stamping, and pit firing allow me to create work that echoes both the fragility and resilience of natural systems.

Themes of environmental degradation, symbiosis, and interconnectedness run throughout my practice, alongside my longstanding engagement with social justice, feminist activist art, and personal narrative. I see art as a powerful medium for raising awareness and fostering empathy—capable of sparking reflection, dialogue, and positive environmental change.